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  • A Kit-of-No-Parts at Weissensee
  • Action Hero Tailoring
  • Adopting Swatches
  • All your segments are belong to me
  • ALWAYS ON Tool-Apron
  • Arduino meets Wearables Workshop
  • Bend, sew, touch, feel, read
  • Bike+Light Workshop
  • Blurring Boundaries
  • Card Weaving Workshop
  • Chic bend and Sleek stretch
  • Chip-Man-Band
  • Crocheting Electronics
  • Crochet and Code
  • DEAF: Crafting the Future Workshop
  • Designing for the loop Workshop
  • DressCode Workshop Shambala
  • DressCode Workshop Berlin
  • E-Textile Meet-up
  • E-Textile Open Lab at CNMAT
  • E-Textile Summer School in France
  • E-Textile Tooling: ohmHook
  • Electric Embroidery Tuesday
  • Hybrid Jewels
  • Electric Embroidery Monday
  • Electronic Textiles Live
  • Electronics as Material I
  • Electronics as Material II
  • Electronics as Material III
  • Electronics of Materials IV
  • Electronics Surgery
  • E-Textile Pecha-Kucha at Schmiede
  • Elektronik und Handwerk
  • Embroidered Speaker Workshop
  • Engineers for Social Impact workshop at Mumbai : e-Diwali
  • E-Textile Knitting Circle
  • eTextile Summer Camp 2013
  • eTextile Summer Camp 2014
  • eTextile Summer Camp 2016
  • fabric meets electronics
  • Fabricademy: Soft Circuits and Textiles Sensors
  • From Swatches to Pockets
  • FT1 - Material Mechanisms for Utopian Uniforms
  • Game controller hack
  • Games Workshop II
  • Handcrafting a textile sensor from scratch
  • Handcrafting Textile Mice
  • Handcrafting Textile Sensors from Scratch
  • Handcrafting Textile Sensors in Vienna
  • Human Hacked Orchestra
  • In All Different Colors
  • Interactive Solar T-Shirt
  • ITP camp Workshops
  • Adventuring with Materials
  • Kinder Egg WishLab
  • Knitting, hacking, hanging, sound
  • KOBA School of WickedFabrics
  • KOBA School of Wickedfabrics: TAILORING
  • KOBA Winter School of Wickedfabrics
  • LilyPad Arduino Programming
  • Sewing an electronic circuit
  • Make your own multi-touchpad
  • Making Textile Sensors from Scratch at TEI
  • MAKING TEXTILE SENSORS FROM SCRATCH at LIWOLI
  • Animating Textiles
  • MATERIALS & CRAFTMANSHIP
  • Meet the Materials Workshop
  • Moving Textile
  • Nature's Wearables
  • Physical Computing Stammtisch
  • Piano T-Shirt
  • PIFpack Workshop
  • Pulp in Motion
  • Relief Embroidery Workshop at Summercamp
  • School of Wicked Fabrics: FOUNDATION /01
  • School of Wicked Fabrics: FOUNDATION /02
  • School of Wicked Fabrics: FOUNDATION /03
  • Sensing with Textiles
  • Sewing Fabric Sensors
  • Smart Rituals
  • Soft & Tiny Pillow Speaker Workshop
  • Soft Interactive Technology at Weissensee
  • Soft Interactive Technology Course at KHB
  • Soft Interactive Technology I
  • Soft Interactive Technology 1 at KHB
  • Soft Sensors for Soft Bodies
  • Soft Sensors for Soft Bodies II
  • Soft & Tiny Arduino Workshop
  • Solar T-shirt Workshop
  • Sounding Textiles
  • Tailoring with Electronic Textiles I
  • Tailoring with Electronic Textiles II
  • Technical Intimacy
  • Technology + Textiles
  • The Sound of Nature
  • Tinkering with Textiles & Electronics
  • Tool time
  • Toy Piano T-shirt workshop
  • Traces with Origin Workshop
  • Transparent and Dangerous
  • Transparent and Dangerous II
  • Wearable sound experiment
  • Wearable Sound Experiment II
  • Wearable Sound Toy Orchestra
  • Wearable Studio Workshops at ARS
  • Textile Sensor Indulgence
  • Wish Lab Workshop
  • WishLab II Workshop
  • Embroidery gone Electronic
  • Woven Paper Cup Speaker Workshop
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    Content by Mika Satomi and Hannah Perner-Wilson
    E-Textile Tailor Shop by KOBAKANT
    The following institutions have funded our research and supported our work:

    From 2013-2015 Mika is a guest professor at the eLab at Kunsthochschule Berlin-Weissensee

    From July - December 2013 Hannah was a researcher at the UdK's Design Research Lab

    From 2010-2012 Mika was a guest researcher in the Smart Textiles Design Lab at The Swedish School of Textiles

    From 2009 - 2011 Hannah was a graduate student in the MIT Media Lab's High-Low Tech research group led by Leah Buechley


    In 2009 Hannah and Mika were both research fellows at the Distance Lab


    Between 2003 - 2009 Hannah and Mika were both students at Interface Cultures
    We support the Open Source Hardware movement. All our own designs published on this website are released under the Free Cultural Works definition
    Workshops

    Blurring Boundaries

    June 9-15, 2019 at Shakerag in Sewanee Tennessee/USA

    Electricity does not have to be cased up inside slick metal enclosures; we can also let it flow through painted pine-cones, carved traces, and the water in our bodies. The segregation of our abilities into discrete disciplines leaves gray areas to be explored and missing links to be made. This workshop will provide you with a time and place to disrupt your own practice by introducing new materials, tools, techniques, and places of making -with a focus on introducing electricity as a material property that can be used to create interactive crafts.

    More information and workshop registration:
    >> https://www.shakerag.org/page.cfm?p=1004

    Blurred Boundary


    Carbon Nature – Carbon coated seed pods. Strung from copper threads. Hanging on a burnt branch. They clash in silence, but their contact is detected. What follows? Must every physical interaction have digital consequences?



    This workshop will attempt to blur the boundaries between:
    – natural & artificial
    – indoors & outdoors
    – craft & engineering
    – art & technology


    natural & artificial

    We will forage for materials and attempt to blend the aesthetics of what nature produces with those that man has manufactured.


    Beaded Circuit – made from protoboard, beads, LEDs and seeds.


    indoors & outdoors

    We will strap our tools to our bodies and walk outside the studio to explore how our practice is affected by what lies beyond the familiar infrastructures of making. We will discover new materials, and expose our practices to outside views.


    A Wearable Studio Practice – a collection of wearable and portable items that make it easier to become nomadic in your practice of making and manipulating the world.


    craft & engineering

    Combining the material and aesthetic motivations of craftsmanship with the applied and functional drive for developing ever new technologies… we might discover these fields are not as different as they seem.


    Bitlace – Turkish needle-lace motifs that incorporate digital electronics to carry meanings of their own.


    art & technology

    We will accustom ourselves with technologies by making them ourselves. Once we have gotten to know them intimately, we can use them critically and conceptually as an expressive medium.


    The Perfect Human Performance – introducing rules in order to complete the performance as a game.


    About the instructor….

    Hannah Perner-Wilson combines conductive materials and craft techniques, developing new styles of building electronics that emphasize materiality and process. She received a B.Sc. in Industrial Design from the University for Art and Industrial Design Linz and an M.Sc. in Media Arts and Sciences from the MIT Media Lab, where she was a student in the High-Low Tech research group. Her thesis work focused on developing, documenting, and disseminating a Kit-of-No-Parts approach to building electronics.

    Since 2006 Hannah has collaborated with Mika Satomi, forming the collective KOBAKANT. Together they maintain an online database titled How To Get What You Want, where they share their textile sensor designs and DIY approach to E-Textiles. Ever since returning from an expedition to the jungle of southern Madagascar, Hannah has been building herself a Wearable Studio Practice that allows her to be mobile in her practice of making and manipulating the world. Most recently, in 2017/18, KOBAKANT are running KOBA, an e-textile tailor shop in Berlin, Germany as an experiment in what people want wearable technology technology to be for them.

    For the last ten years I’ve been working in electronics textiles, also known as e-textiles. It’s a hybrid field of craft and technology that combines knowledge and skill from electrical engineering and textile design. It is still a space without standardized solutions, and working within it has both caused and allowed me to question conventions and cultures surrounding technology production and use. With my own contributions to this field I try to expand our ways of understanding, creating, and using technology, breaking with the image of electronics as industrially produced consumer goods and presenting them instead as an expressive medium, a cultural practice, something to take care of in making and using.

    Websites:
    Plusea >> http://plusea.at/
    Wearable Studio Practice >> http://wsp.plusea.at/
    A Kit-of-No-Parts >> http://konp.plusea.at/
    HOW TO GET WHAT YOU WANT >> http://howtogetwhatyouwant.at/
    KOBAKANT >> http://kobakant.at/
    KOBA E-Textile Tailor Shop >> http://www.kobakant.at/KOBA/


    Materials and Tools

    …work in progress…

    MATERIALS
    – participants should bring any materials they are familiar with
    – conductive paints
    conductive threads
    conductive fabrics
    – ATtiny microcontrollers
    – copper tape
    – z-tape
    – ….

    TOOLS
    – participants should bring any tools they are familiar with
    – laptop/computer for programming microcontrollers
    – paint brushes
    – sewing needles
    – crochet hooks
    – scissors
    – cutter knives
    – cutting mat
    – ….



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